|Versus Hires Jonathan Anderson
November 29th, 2012 @ 11:04 AM
Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
November 20th, 2012 @ 10:14 AM
Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
November 05th, 2012 @ 00:43 AM
Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
July 06th, 2012 @ 00:17 AM
Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Carolina Herrera: From Munch to La Mode
February 05th, 2007 @ 4:40 PM
Though she remains America’s pre-eminently classy designer, Carolina Herrera’s inspiration for her latest collection was Edvard Munch’s painting of a bohemian anarchist.
Yet the contradiction, far from confusing Carolina led to one of the finest collections we’ve seen so far in the New York season.
Munch’s painting of the radical Hans Jæger, whose neighborhood in Oslo, Christiania, was a funky and alternative quarter, may have been a bizarre source of stimulation but the net result was couture quality coolness. Ideal clothes for the very opposite sort of people – the super-well-heeled women from the Upper East Side who sat front row.
Remarkably sleek tunic dresses finished with glass bauble trim reminiscent of the modernist functionality of Art Deco or brilliantly wrought robes with erratic geometric appliqué patterns echoed Munch’s imagery and obsession with Jaeger.
Yet Herrera’s collection for fall 2007 oozed haute sophistication, from the remarkable jacquard coats to the stockings finished with jade.
Munch’s friendship with the freaky bohemians led by Jæger deeply marked his life and was source of almost permanent inner conflict. Ironically, Herrera’s connection to Munch’s art made for remarkably balanced fashion, clothes that flattered, had poise and looked great. Uncanny, surprising and unexpected, but true.