Fashion Wire Daily: the First Word in Fashion


Versus Hires Jonathan Anderson November 29th, 2012 @ 11:04 AM

Cacharel Unveils New CEO, in Major Corporate Revamp November 21st, 2012 @ 00:56 AM

Kane Drops Out of Versus in Major Shake-up November 20th, 2012 @ 10:14 AM

Pucci’s Madison Avenue Store Debuts Massive Expansion November 16th, 2012 @ 00:35 AM

Ghesquière Departs Balenciaga in Major Surprise November 05th, 2012 @ 00:43 AM

Sao Paulo Fashion Week: Between Optimism and Fear November 02nd, 2012 @ 00:28 AM

London Unveils Men’s Season Schedule November 01st, 2012 @ 00:36 AM

Azzaro Releases Castello Branco October 25th, 2012 @ 00:18 AM

Revenue Soars 22 Percent at LVMH in First Three Quarters October 16th, 2012 @ 00:18 AM

Rykiel Names Geraldo da Conceicao Artistic Director September 21st, 2012 @ 8:12 PM

Brazil’s New London Pop-Up September 21st, 2012 @ 7:20 PM

McQueen Men Returning Home to London September 12th, 2012 @ 7:19 PM

Roitfeld, Mum and Son, Open in Brazil September 07th, 2012 @ 00:54 AM

Berluti Opens to Big-Time Business in London September 06th, 2012 @ 3:27 PM

Stefano Pilati Back with a Bang at Zegna September 05th, 2012 @ 7:10 PM

Hugo Boss Wows in Berlin, Plans for New York July 06th, 2012 @ 00:17 AM

Salvatore Ferragamo: Crusin’ the Louvre June 13th, 2012 @ 11:04 AM

Michel Klein Gains New Backer; Launches Sunglass Collection June 13th, 2012 @ 00:48 AM

Sykes Jettisoned by Aquascutum; Maurer In at Rabanne June 06th, 2012 @ 00:18 AM

Armani Conquers China, Chastises the Pope June 01st, 2012 @ 11:53 AM


Prada’s Crystal Modernism

Godfrey Deeny
February 24th, 2012 @ 00:30 AM - Milan

The single most influential fashion designer in the past 15 years has been Miuccia Prada. And her fall 2012 women's ready-to-wear collection shown on the evening of Thursday, Feb. 24, in Milan will inspire waves of admiration and provoke a multitude of women to dress and buy the rather revolutionary looks she offered up, even if this, ultimately, was Prada a couple of points off her A Game.

Opulent and rife with baroque modernism, this collection will be remembered for the crystal encrustations that looked as if they had clambered all over the sleek coats and jackets that Prada sent out.

Despite all the decoration, the key to the collection was the tailoring. Every second look featured a coat - 19th century tailcoats with dazzling sleeves, mini wrap coats, sleek courtiers coats bursting with purple jewels or big sleeve Eisenhower jackets.

"It was about women feeling important, not about feeling powerful," explained Prada, before thanking her tailoring atelier boss profusely in the backstage.

"Without her, we could never have done this collection," insisted the designer, whose runway was a giant carpet. It was exactly the same style as the carpet used in last month's Prada men's show, except this time it came in Roman Imperial purple; the guy's version was fire-engine red.

Finished with big, retro buttons and encrusted like a Raja's turban with scores of jewels, these were eye-catching clothes throughout. Yet, though an exceptional fashion statement, the collection was a tad too repetitive, as if it lacked a final gear.

The other key element was the zigzag prints, which made up a good third of the collection .

As ever at Prada, the designer broke new ground with several new shoe styles that will be highly influential. In particular, a new thin-heeled shoe with massive rubber forward, many done in white or caramel almost like blobs of ice cream, just like the pair the designer herself wore backstage.

She also plastered crystal flowers and embellishments all over a great series of new bags clutches, totes and weekend bag.

Adding to the sense of a fashion moment, the high-powered casting appeared in Goth hairstyles, dyed and hyper straightened. So, these young ladies acted - as the designer wished - as self-assured and important, and not just powerful. Let's face it, after her Spring 2012 auto-inspired blockbuster collection, la Miuccia had to dial it down a notch.

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