|Versus Hires Jonathan Anderson
November 29th, 2012 @ 11:04 AM
Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
November 20th, 2012 @ 10:14 AM
Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
November 05th, 2012 @ 00:43 AM
Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
July 06th, 2012 @ 00:17 AM
Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Versace: Loud and Proud Fashion
September 24th, 2010 @ 2:49 PM - Milan
This Friday, Sept. 24, the Versace women’s collection did what the brand is supposed to do: present loud and proud fashion.
Cut to the figure in a smart new mix of modernist mass-market colors and finished with lots of mini references to the house’s iconic symbols, this was a sizzling collection that earned Donatella Versace her loudest applause in many seasons.
Staged in Versace’s own theatre in south Milan on Friday evening, the show opened with lots of crisp white suits and cocktails, all edged with transparent strips, giving a cool geometric attitude. Gradually the designer injected more and more color, especially a semi-erratic vertical stripe print in cartoon shades of canary yellow, peppery red and faded blue.
Also adding to the sense of occasion was a remarkable remix soundtrack, with added deep pulses, of Malcolm McLaren’s classic hip hop sampler of Bizet’s Carmen, a brilliant piece of show music by DJ Frederic Sanchez.
“I’m an operatic Italian woman, so I need emotion in my collections and my shows,” said a trim, blond Versace backstage post-show.
As the show progressed, Versace’s classic symbols of the architectural Greek key trim or medusa head wafted across the clothes, though in careful doses, never overpoweringly so, and always neatly edited. Above all, the cutting was impeccable, taut and strict, and with hyper precise use of shoulder straps and bands across the back.
The mood did slightly falter at the end with far too many Chinese fringes that looked a tad cheap in such an otherwise assured show. But it was a minor quibble in a smooth statement of modernist design and dash in a very of-the-moment and devilish Donatella Versace display.