Fashion Wire Daily: the First Word in Fashion


Versus Hires Jonathan Anderson November 29th, 2012 @ 11:04 AM

Cacharel Unveils New CEO, in Major Corporate Revamp November 21st, 2012 @ 00:56 AM

Kane Drops Out of Versus in Major Shake-up November 20th, 2012 @ 10:14 AM

Pucci’s Madison Avenue Store Debuts Massive Expansion November 16th, 2012 @ 00:35 AM

Ghesquière Departs Balenciaga in Major Surprise November 05th, 2012 @ 00:43 AM

Sao Paulo Fashion Week: Between Optimism and Fear November 02nd, 2012 @ 00:28 AM

London Unveils Men’s Season Schedule November 01st, 2012 @ 00:36 AM

Azzaro Releases Castello Branco October 25th, 2012 @ 00:18 AM

Revenue Soars 22 Percent at LVMH in First Three Quarters October 16th, 2012 @ 00:18 AM

Rykiel Names Geraldo da Conceicao Artistic Director September 21st, 2012 @ 8:12 PM

Brazil’s New London Pop-Up September 21st, 2012 @ 7:20 PM

McQueen Men Returning Home to London September 12th, 2012 @ 7:19 PM

Roitfeld, Mum and Son, Open in Brazil September 07th, 2012 @ 00:54 AM

Berluti Opens to Big-Time Business in London September 06th, 2012 @ 3:27 PM

Stefano Pilati Back with a Bang at Zegna September 05th, 2012 @ 7:10 PM

Hugo Boss Wows in Berlin, Plans for New York July 06th, 2012 @ 00:17 AM

Salvatore Ferragamo: Crusin’ the Louvre June 13th, 2012 @ 11:04 AM

Michel Klein Gains New Backer; Launches Sunglass Collection June 13th, 2012 @ 00:48 AM

Sykes Jettisoned by Aquascutum; Maurer In at Rabanne June 06th, 2012 @ 00:18 AM

Armani Conquers China, Chastises the Pope June 01st, 2012 @ 11:53 AM


Kinder Aggugini’s Coco Vicious

Godfrey Deeny
September 20th, 2009 @ 00:08 AM - London

Kinder Aggugini staged his second runway show in London Saturday afternoon, Sept. 19, and there was great sense of expectation before even one look hit the catwalk.

For starters, Kinder, as he is universally known, had just the right sort of London front-row – from rock royalty to the real thing – and the right collaborators.

Getting creative types like Georgina Goodman, who makes shoes for Alexander McQueen, or Stephen Jones, who keeps John Galliano supplied, was also savvy. Especially, as was the case Saturday, when they both responded with some tremendous ideas, Goodman with fine ribboned and spike-heeled platforms – many in the designer’s signature polka dot - and Jones with beautiful, mega-sized hats

More relevantly, Aggugini delivered in terms of clothes, with his curvy bubble shaped skirts in checks or bouffant skirts in lizard print silk that were somehow Victorian and yet very now. The trick here is in the cut – Aggugini knows how to sculpt a dress so that it flatters a woman’s shape rather than looking like she’s hiding too many pounds.

Aggugini, an Italian who has made his home in London, also cuts a mean jacket, like his posh punk take on the classic Chanel jacket, made in a soft Scottish plaid or just a black wool bouclé tweed, but cut like a junior officer’s jacket, looked classy and new.

The designer said his theme was “the loss of innocence,” when childhood fairy tales suddenly begin to look dark, and that his meeting of distinctively contrasting fashion forms was symbolized by a fictional encounter between Coco Chanel and Sid Vicious.

But like last season, the makeup was less successful. Kinder switched to the great Pat McGrath for spring, but her green-eyed baby doll treatment made an already theatrical show too melodramatic.

Then again, we did love the hair, recalling last year’s surprise hit movie “The Duchess,” starring Keira Knightly, parts of which were filmed in Somerset house. And the duchess was a chic symbol of stylish English eccentricity, whose bravura and sense of color deserves many admirers, just like this show.

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Fashion Wire Daily: The Last Word in Fashion

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