|Versus Hires Jonathan Anderson
November 29th, 2012 @ 11:04 AM
Cacharel Unveils New CEO, in Major Corporate Revamp
November 21st, 2012 @ 00:56 AM
Kane Drops Out of Versus in Major Shake-up
November 20th, 2012 @ 10:14 AM
Pucci’s Madison Avenue Store Debuts Massive Expansion
November 16th, 2012 @ 00:35 AM
Ghesquière Departs Balenciaga in Major Surprise
November 05th, 2012 @ 00:43 AM
Sao Paulo Fashion Week: Between Optimism and Fear
November 02nd, 2012 @ 00:28 AM
London Unveils Men’s Season Schedule
November 01st, 2012 @ 00:36 AM
Azzaro Releases Castello Branco
October 25th, 2012 @ 00:18 AM
Revenue Soars 22 Percent at LVMH in First Three Quarters
October 16th, 2012 @ 00:18 AM
Rykiel Names Geraldo da Conceicao Artistic Director
September 21st, 2012 @ 8:12 PM
Brazil’s New London Pop-Up
September 21st, 2012 @ 7:20 PM
McQueen Men Returning Home to London
September 12th, 2012 @ 7:19 PM
Roitfeld, Mum and Son, Open in Brazil
September 07th, 2012 @ 00:54 AM
Berluti Opens to Big-Time Business in London
September 06th, 2012 @ 3:27 PM
Stefano Pilati Back with a Bang at Zegna
September 05th, 2012 @ 7:10 PM
Hugo Boss Wows in Berlin, Plans for New York
July 06th, 2012 @ 00:17 AM
Salvatore Ferragamo: Crusin’ the Louvre
June 13th, 2012 @ 11:04 AM
Michel Klein Gains New Backer; Launches Sunglass Collection
June 13th, 2012 @ 00:48 AM
Sykes Jettisoned by Aquascutum; Maurer In at Rabanne
June 06th, 2012 @ 00:18 AM
Armani Conquers China, Chastises the Pope
June 01st, 2012 @ 11:53 AM
Oscar de la Renta Saves Uptown
September 16th, 2009 @ 1:39 PM - New York
Leave it to Oscar de la Renta to save uptown fashion, in a challenging season for establishment chic. His spring 2010 collection presented Wednesday, Sept. 16, in New York, was an impressive, options-packed tour de force, and a welcome reminder that classy dressing can also be innovative fashion.
De la Renta generously listed his six design assistants in his program notes, a rare piece of noblesse oblige in fashion. One understands why, after a series of superbly draped day dresses sauntered down the catwalk in the Park Avenue church in which the show was staged. In a word, great work by a gifted studio and atelier.
Silk gazar dresses in hues of teal or bark were also supremely well cut. Wrapped ever so slightly around the torso and gathered to give just the right sense of volume, they were mini master classes in the art of how to hang fabric. Moreover, you could tell these looks would flatter a “normal” woman’s body, and not just a model.
“There’s never been a better time to be a woman. There are so many possibilities for them, so fashion has to reflect that. Collections need to be multi faceted. Women cannot keep running home to change, so they need clothes that work for both work and play, like a great little dress worn with a white shirt at the office, that then looks fabulous for a cocktail at 7 p.m.,” explained the ever dapper de la Renta to FWD.
His sense of the right accessory, whether some splendid cloche felt hats or snazzy suede belts with piping was also spot on. The show did sag a little midway through with one or two white lace passages that were far too insipid, but bounced back gloriously at the finale.
The designer’s best moments were very much for evening, with a pretty remarkable look on the melancholic-eyed Russian model Vlada Roslykaya, a blush colored chiffon column with scattered silver embroidery. This was followed by a series of gold embroidered tulle dresses or black lace Velasquez images that were ideal red carpet looks.
De la Renta finished with great flourish, a magnificent grand dame tulle indigo crinoline with luscious crystal bodice worn by model Arlenis Sosa, who, like the designer, hails from the Dominican Republic.