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Lanvin Partnering with H&M September 02nd, 2010 @ 00:54 AM


Coach Opens Ambitiously in Paris September 01st, 2010 @ 00:26 AM


Lacoste Names Oliveira Baptista New Artistic Director August 31st, 2010 @ 1:57 PM


LVMH Heads South in Latest Acquisition July 02nd, 2010 @ 00:12 AM


Hakaan Wins Andam Award June 30th, 2010 @ 11:05 AM


Net-a-Porter Gets Masculine June 10th, 2010 @ 8:02 PM


Brunello Cucinelli Named Italian Entrepreneur Of The Year June 04th, 2010 @ 4:16 PM


Hermes Replaces Gaultier With Lemaire May 26th, 2010 @ 12:56 AM


Burberry Turnover Rises 7 Percent in Last 12 Months May 26th, 2010 @ 00:47 AM


Ungaro Names Gilles Deacon Creative Director May 25th, 2010 @ 3:47 PM


Aquascutum Hires Sykes as Design Director May 17th, 2010 @ 00:07 AM


Hermes Scores 18.5 Percent Rise in First Quarter Turnover May 06th, 2010 @ 00:49 AM


Rodarte to Create "Breathless"-Inspired T-Shirts for Film's 50th Anniversary May 05th, 2010 @ 6:05 PM


Gen Art to Shut Down After 16 Years May 05th, 2010 @ 5:40 PM


Jean-Louis Dumas Dead at 72 May 03rd, 2010 @ 00:46 AM


Armani Opens Debut Hotel in Dubai April 28th, 2010 @ 4:39 PM


Japanese/Chinese Bank Buys Stake in Costume National April 22nd, 2010 @ 12:42 AM


Archs Out at Ungaro, Deacon Rumored In April 21st, 2010 @ 11:53 AM


Vera Wang and David's Bridal Announce New Collaboration April 20th, 2010 @ 2:43 PM


Burberry Turnover Rises 7 Percent in Latest Half Year April 20th, 2010 @ 00:50 AM



Vera Wang: Poiret Party People

Renata Espinosa
September 15th, 2009 @ 3:54 PM - New York

Vera Wang titled her Spring 2010 collection “Partying with Poiret,” referring to early twentieth century French designer Paul Poiret, who emancipated women from constrictive undergarments with loosely draped dresses and pants. “Poiret, not literally, but in my heart, like the way he partied all the time and he loved to throw parties,” said Wang after the show in her bright white boutique in downtown New York on Tuesday, Sept. 15.

The collection was about playing dress up in an unselfconscious, celebratory way that had the romance of an epic love poem combined with the eccentric horror of Poe.

“I think that adventurous spirit in fashion is what happened a lot in the Twenties, with Chanel dressing women like men, and Poiret dressing women without girdles and without bustles, wearing softly draped things, and [Elsa] Schiaparelli – they were all of that era and a certain freedom started to happen on into the Thirties,” said Wang.

Though it was a spring collection, it didn’t mean that Wang didn’t embrace decadent layers of black tulle, textured with ruffles on a shift dress or in the frayed pleats of a short skirt. For Wang, it was about expanding the possibilities of the materials, which took on a couture-like level of craftsmanship in the detailing.

“We threw away at least a quarter of million dollars worth of fabric,” said Wang. “In this economy, that’s kind of embarrassing, but I really wanted to evolve the technique. We tried sewing it, we tried washing it, starching, double washing and cutting it on the bias. I think we ended up with about one-twentieth of the fabric we started out with in the design room.”

Along with the loose silhouettes of crepe de chine shifts and an elegant playsuit, Wang also layered sheer organza skirts, like ballerina tutus, over black knit athletic shorts – perfect for those marathon nights out. Sequins, spidery silver beaded bibs and a jeweled bolero were the candied centerpieces of Wang’s delicious accessories.

“Part of that is because I dress myself that way,” explained Wang. “I mix things up. I like taking clothing out of context. You can wear big jewelry or fabulous rings, and then you can wear shorts.”

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