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Lanvin Partnering with H&M September 02nd, 2010 @ 00:54 AM


Coach Opens Ambitiously in Paris September 01st, 2010 @ 00:26 AM


Lacoste Names Oliveira Baptista New Artistic Director August 31st, 2010 @ 1:57 PM


LVMH Heads South in Latest Acquisition July 02nd, 2010 @ 00:12 AM


Hakaan Wins Andam Award June 30th, 2010 @ 11:05 AM


Net-a-Porter Gets Masculine June 10th, 2010 @ 8:02 PM


Brunello Cucinelli Named Italian Entrepreneur Of The Year June 04th, 2010 @ 4:16 PM


Hermes Replaces Gaultier With Lemaire May 26th, 2010 @ 12:56 AM


Burberry Turnover Rises 7 Percent in Last 12 Months May 26th, 2010 @ 00:47 AM


Ungaro Names Gilles Deacon Creative Director May 25th, 2010 @ 3:47 PM


Aquascutum Hires Sykes as Design Director May 17th, 2010 @ 00:07 AM


Hermes Scores 18.5 Percent Rise in First Quarter Turnover May 06th, 2010 @ 00:49 AM


Rodarte to Create "Breathless"-Inspired T-Shirts for Film's 50th Anniversary May 05th, 2010 @ 6:05 PM


Gen Art to Shut Down After 16 Years May 05th, 2010 @ 5:40 PM


Jean-Louis Dumas Dead at 72 May 03rd, 2010 @ 00:46 AM


Armani Opens Debut Hotel in Dubai April 28th, 2010 @ 4:39 PM


Japanese/Chinese Bank Buys Stake in Costume National April 22nd, 2010 @ 12:42 AM


Archs Out at Ungaro, Deacon Rumored In April 21st, 2010 @ 11:53 AM


Vera Wang and David's Bridal Announce New Collaboration April 20th, 2010 @ 2:43 PM


Burberry Turnover Rises 7 Percent in Latest Half Year April 20th, 2010 @ 00:50 AM



Calvin Klein: Translucent and Transparent

Godfrey Deeny
June 23rd, 2009 @ 00:48 AM - Milan

At a moment when transparency is all the rage in finance and democracy, few menswear collections for spring 2010 seem more prescient and relevant than the Calvin Klein show in Milan on Monday, June 22, where half the clothes were super light, see-through and frequently translucent.

No designer anywhere – even in women’s wear – has embraced high-tech fabrics as much Calvin Klein’s men’s creative director Italo Zucchelli, whose experimentation with “textiles” as diverse as neoprene foam, transparent nylon and silicone mesh mark him out, in material terms, as one of the most avant-garde designers on the planet.

All this would mean little if Zucchelli’s clothes were futuristic yet weird, inventive but inelegant. However, Zucchelli’s collections have a stylish plausibility and a cerebral panache that can only be applauded.

“Upbeat, optimistic and transparent,” beamed Zucchelli after the show, as his gang of well-coiffed models changed into civilian clothes backstage. Like nearly every catwalk in Milan, the Calvin Klein runway was crammed with well-scrubbed models, as the era of the scruffy unshaven rock star fades from memory.

What worked best were the brilliant transparent raincoats, silky and almost weightless perforated leathers and a great trio of athletic silvery jackets with see-through sleeves. Using whisper light layers of fabrics in contrasting weaves also gave the clothes a curiously three-dimensional depth, which added a chic authority.

Zucchelli could have done with fewer shorts, however. While every show here attracts a score of guys in shorts, most men cannot pull off wearing them in a business context, where they lose much more in gravitas than they gain by being groovy.

But, leaving aside this schoolboy foible, this was a seriously fine exposition of modern fashion, from its aforementioned fabrics and silhouettes to the assured color palette – onyx, silver and granite with flashes of burning red and this season’s color, shiny turquoise.

Zucchelli took his bow triumphantly, understandably, seeing he had been crowned Menswear Designer of 2009 at last week’s award ceremony of the Council of Fashion Designers of America, the nearest equivalent to the Oscar’s of fashion.

The collection of faintly sci-fi yet easy to wear fashion could all be worn off the runway for a close-the-deal business meeting or cool first date. Zucchelli’s futurist oeuvre seems very now, and well worthy of celebration.

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