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Burberry Goes Global with 3D Runway Show February 08th, 2010 @ 00:45 AM


Hermes 2009 Sales Up 8.5 Percent; Wholesale Biz Plummets February 05th, 2010 @ 00:34 AM


LVMH Suffers Declines in 2009 Sales and Profits February 04th, 2010 @ 4:05 PM


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The Body Comes to Paris February 02nd, 2010 @ 11:49 AM


Etam and Natalia Hit Paris Catwalk January 27th, 2010 @ 00:00 AM


Altuzarra, Peter Hidalgo Tie as Top Women's Designers at Rising Star Awards January 26th, 2010 @ 12:23 AM


Armani Accuses Dior of Lacking Respect January 20th, 2010 @ 12:04 AM


Sarah Jessica Parker Signs On to Halston January 14th, 2010 @ 4:00 PM


Milan Prosecutors File Burani Bankruptcy Request January 12th, 2010 @ 10:34 AM


Ecco Domani Names Foreign-Born Talent January 04th, 2010 @ 6:01 PM


Eco Beauty Genius Yves Rocher Dead at 79 December 28th, 2009 @ 00:21 AM


Paris Stepping Up Pre-Collection Market December 18th, 2009 @ 12:19 AM


Ungaro CEO Moufarrige Quits House December 16th, 2009 @ 11:00 AM


Tom Ford’s "A Single Man" December 15th, 2009 @ 10:27 AM


Gucci Masters – From Nightclub to Paddock December 14th, 2009 @ 00:58 AM


New Gen Picks: Katrantzou and Pilotto December 11th, 2009 @ 10:19 AM


Hilfiger Inks Deal with Debt Laden Safilo December 11th, 2009 @ 00:00 AM


Bailey Wins BFC Designer of the Year Award December 10th, 2009 @ 00:08 AM


Martin Margiela Leaves The Company He Founded December 09th, 2009 @ 10:21 AM



Alexander McQueen: Demolition Derby Chic

Godfrey Deeny
March 11th, 2009 @ 2:35 PM - Paris

If you thought that deconstructed fashion was radical, then take a look at the latest collection from Alexander McQueen, where every look contained some piece of detritus from our contemporary civilization.

Dedicated to his mother, Joyce Barbara McQueen, the show was staged on Tuesday, March 10 in Paris’ famed Marcel Cerdan boxing ring, but the place was reinvented with a an enormous trash heap – "Close Encounters of a Third Kind" large – composed of car debris, used tires, wrecked computers, dead TV sets and various parts of former McQueen shows.

Most of the headgear, too, was made up of empty beer cans, tied together with plastic tape, and worn over models whose deathly pale faces were made more grotesque by huge rouge clown lips. Other hats were miniature umbrellas, flowerpots, lampshades, a supermarket shopping bag and a three-dimensional halo.

However, don’t get the impression that this collection was just weird. The show featured lots of great clothes, from the giant collar houndstooth series that opened the proceedings and a perfect thirties suit in a broken pattern version of the same fabric that looked like it had been dipped in spice. Leggings in a larger print version of the same pattern will be huge hits.

The collection was so rich that one had a moment of free associaton connecting each look with various images deposited in the back of the memory. One particularly outlandish leather coat seemed like a like King Crimson album cover and another black Aran sweater dress looked like a mythical Celtic goddess exiting the black Atlantic of Donegal in Ireland. Another epiphany was the remarkable Escher print dresses.

Entitled “The House of Plenty,” the show contained a very bizarre cast of characters, even by the standards of McQueen, who has one of fashion’s most fertile imaginations.
There were deranged Miss Havershams in jagged tweed, bag ladies in bubble wrap coats, mistresses in swirling orange prints, S and M highwaywomen in sharded chiffon bustiers and a society hostess in a superb snake print column. The result made "Grey Gardens" look like "Gossip Girl."

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