Fashion Wire Daily: the First Word in Fashion


Versus Hires Jonathan Anderson November 29th, 2012 @ 11:04 AM

Cacharel Unveils New CEO, in Major Corporate Revamp November 21st, 2012 @ 00:56 AM

Kane Drops Out of Versus in Major Shake-up November 20th, 2012 @ 10:14 AM

Pucci’s Madison Avenue Store Debuts Massive Expansion November 16th, 2012 @ 00:35 AM

Ghesquière Departs Balenciaga in Major Surprise November 05th, 2012 @ 00:43 AM

Sao Paulo Fashion Week: Between Optimism and Fear November 02nd, 2012 @ 00:28 AM

London Unveils Men’s Season Schedule November 01st, 2012 @ 00:36 AM

Azzaro Releases Castello Branco October 25th, 2012 @ 00:18 AM

Revenue Soars 22 Percent at LVMH in First Three Quarters October 16th, 2012 @ 00:18 AM

Rykiel Names Geraldo da Conceicao Artistic Director September 21st, 2012 @ 8:12 PM

Brazil’s New London Pop-Up September 21st, 2012 @ 7:20 PM

McQueen Men Returning Home to London September 12th, 2012 @ 7:19 PM

Roitfeld, Mum and Son, Open in Brazil September 07th, 2012 @ 00:54 AM

Berluti Opens to Big-Time Business in London September 06th, 2012 @ 3:27 PM

Stefano Pilati Back with a Bang at Zegna September 05th, 2012 @ 7:10 PM

Hugo Boss Wows in Berlin, Plans for New York July 06th, 2012 @ 00:17 AM

Salvatore Ferragamo: Crusin’ the Louvre June 13th, 2012 @ 11:04 AM

Michel Klein Gains New Backer; Launches Sunglass Collection June 13th, 2012 @ 00:48 AM

Sykes Jettisoned by Aquascutum; Maurer In at Rabanne June 06th, 2012 @ 00:18 AM

Armani Conquers China, Chastises the Pope June 01st, 2012 @ 11:53 AM


Prada: Femme Fatales Rule

Godfrey Deeny
September 24th, 2008 @ 00:06 AM - Milan

Leave it to Miuccia Prada to create the most original collection of the current international season on Tuesday, Sept. 23, with a thoroughly memorable metallic moment, where the models may have stumbled badly on the rambling catwalk, but the fashion aesthetic soared.

Memorable in more ways than one, since the actual materials were mainly feather light and micro thin metals with a memory that imparted them with unforgettable shapes, twists and dimples.

The silhouette had a Fifties feel, with just below the knee cuts and off the shoulder tops and jackets, recalling a decade that heralded the explosion of the sexual revolution.

The racy quality was evident in the naughty copper, gold and brass hued bras, open-backed jackets and revealing tummies, marking these clothes out as diametrically opposed to Miuccia's previous "Sexy Nun" collection. The models, finished with pushed up chignons and ladylike pearl earrings, recalled Fifties glamour queens like Marilyn Monroe and Jane Russell.

Coats came with circuit board patterns, gowns in almost technical blueprints, as Elvis Presley crooned and a steel guitar twanged out the entrance of a femme fatale.

"Metallic yes, but also back to basics," gasped Miuccia backstage, with a wink that hinted the basics were very bold.

Showing dollops of lingerie frill and trims added to the wicked moment, even if their use as straps on espadrille platforms was a major technical flaw. One poor model collapsed in a terrible tailspin, earning a huge roar of applause for bravely pulling herself up and finishing the catwalk shoes in hand. At least three nearly landed on their tails, partly due to the bizarre catwalk in Prada’s Milan headquarters show space. The series of black two-foot-long fish stencils indicated the route, but their slippery finish led to a lot of confusion.

But to focus too much on this would be a mistake, for what mattered here was the latest swing at brainy sexuality by the world's most influential designer, for that is what Miuccia remains.

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